RESUME
| SOLO EXHIBITIONS |
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| 2012 2009 2007 |
Single-Use Landscape, Southampton, NY Deliberations on Equilibrium: An Installation and Photographs, Ceres Gallery, New York, NY Animals in Mind, Ceres Gallery, New York, NY |
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| 2001 | Shooting Heads, Art Resources Transfer, Inc., New York, NY Sea Siren, Window Installation, Art in General, New York, NY Sea Sirens, Art Resources Transfer, Inc., New York, NY |
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| 1999 | Facial Hair: A Series of Self Portraits, Art Resources Transfer, Inc., New York, NY |
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| 1998 | Beached / Treading, Art Resources Transfer, Inc., New York, NY |
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| SELECTED GROUP EXHIBITIONS |
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| 2013 2008 2007 |
Un/Natural Occurences, Central Booking, New York, NY Second Nature: An Exhibition of Former Students of Darra Keeton, Rice Media Center, Houston, TX Natural Histories, Central Booking, Brooklyn, NY Enantiomorphic Chamber, Nurtureart, Brooklyn, NY Sustaining Vision: A Tribute to Arlene Raven, Harold B. Lemmerman Gallery, NJCU, Jersey City, NJ Virtual Field: The SEED Project, Winkleman Gallery, New York, NY Transformations: Photography and Imaging @25, New York University, New York, NY Ni Músculos Ni Secreciones, (Neither Muscles Nor Secretions), Madrid, Spain A Place at the Table at Gallery 440, Gallery 440, Brooklyn, NY |
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| 2005 | The Matzo Files, Steits Matzo, New York, NY |
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| 2005 | A Thousand Hounds, Traveled throughout US, Canada, and Japan (2002-2005) | |
| 2004 | Either orBits, B57 Contemporary Art, Brooklyn, NY |
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| 2003 | Digitally Mediated, New York Law School, New York, NY Salon Show, OIA, Gallery 402, New York, NY Moved By Awe, Aljira, Newark, New Jersey |
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| 2002 | Master Photography Workshop Exhibition, Avram Gallery, Southampton College, Southampton, NY | |
| 2001 | Paperworks, OIA, The New York Law School, New York, NY |
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| 2000 | Small Worlds, New York Mercantile Exchange, New York, NY In The Hands of an Artist, Wilmer Jennings Gallery, New York, NY Generations II, A.I.R. Gallery, New York, NY |
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| 1999 | Object as Metaphor, MMC Gallery, Marymount Manhattan College, New York, NY Thinking Digitally: Art and Technology, New York Mercantile Exchange, New York, NY Exposed, Islip Art Museum, Islip, NY |
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| 1998 | Backstage, Serge Sorokko Gallery, New York, NY A Woman's LENS, Tarrytown, NY Reflections: Photographs of Water, Sag Harbor Picture Gallery, Sag Harbor, NY Issues of Guilt, Raritan Valley Community College, Raritan, NJ |
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| 1997 | Water, water everywhere, Uniondale Public Library, Uniondale, NY Generations, A.I.R. 25th Anniversary, A.I.R. Gallery, New York, NY Photowork '97, Barrett House Galleries, Poughkeepsie, NY The Power of Paper, Main Line Art Center, Haverford, PA |
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| 1996 | Women's Art Works 6; 100 Women, 100 Works, Rochester Room Gallery, Rochester, NY | |
| 1994 | Violence in the Media, St. John's University Gallery, Jamaica, NY |
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| 1991 | Micro/Macro, Helio Galleries, New York, NY Women in the Visual Arts, Erector Square Gallery, New Haven, CT The Family, Peconic Gallery, Riverhead, NY |
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| 1990 | New Directions '90, Barrett House Gallery, Poughkeepsie, NY Matrix International, Matrix Gallery, Sacramento, CA Photowork '90, Barrett House, Poughkeepsie, NJ |
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| REGISTRIES / FLAT FILES |
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| Pierogi Gallery Flat Files |
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| NurtureArt |
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| Artists Space | ||
| HONORS / AWARDS |
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| 2001 | Emerge, ALJIRA Program, Participant, Newark, NJ |
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| 1997 | ItzhakSankowsky Award, The Power of Paper: Celebrating Women Artists, Haverford, PA |
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| 1990 | Honorable Mention in Photography, National Invitational Art Exhibition, Havre deGrace, MD | |
| LECTURES / TALKS |
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| 2007 | Ceres Gallery | |
| 2006 | New York University, Tisch School of the Arts, Photography Department |
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| 2002 | Southampton College, Photography Department | |
| PUBLICATIONS |
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| 2015 | 365 Artists / 365 Days, (Online) Featured Daily Artist |
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| 2007 | FAD Magazine, (Online) Artist Interview Artworld Digest, The Seed Issue |
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| 2003 | Death in the Studio, Lederer, Niki and Priesch, Hannes, Lederer+Priesch, New York, NY |
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| 2001 | Raven, Arlene, Aljira Emerge 2001, Newark, NJ, catalogue |
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| 2000 | Facial Hair: Self Portraits, New York, NY Barth, M, & Merritt, R, A Thousand Hounds: The Presence of the Dog in the History of Photography 1839 to Today, Taschen Press |
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| 1998 | Gallant, Julie, New Photography and Digital Imagery, Photography Quarterly; Issue #72, Winter 1997/98 |
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| COLLECTIONS |
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| The Center for Photography at Woodstock, Woodstock, NY | ||
| EDUCATION |
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| 1994 | MFA Photography, Hunter College, The City University of New York, NY |
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| 1986 | BFA Photography, New York University, Tisch School of the Arts, New York, NY |
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| TWO PERSON EXHIBITIONS |
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| 2009 | PS 122 Gallery, New York, NY |
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| REVIEWS |
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| 2013 | Haber, John., "10.21.13- Earth Calling Art", http://www.haberarts.com/2013/10/earth-calling-art/ | |
| 2009 | Haber, John., "10.4.09- Brooklyn Natural History", http://www.haberarts.com/sciart3.htm |
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| 2008 | Neyenesch, Cassandra, "Enantiomorphic Chamber", Brooklyn Rail, April | |
| Saltz, Jerry, “Critics Pick: Enantiomorphic Chamber”, New York Magazine, March |
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| 2003 | Bischoff, Dan., The Star-Ledger, Jan 10, 2003, " 'Awe'-some move", Review with color reproduction, p. 26. | |
| 2002 | Harrison, Helen A., New York Times, July 21, 2002, Review with color reproduction, p. 12. | |
| 1998 | Shottenkirk, Dena, Letter from New York, C international contemporary art; Issue #59, p. 48. | |
| Grantham, Kathy, North County News, November 17, 1998, Photographers and Domestic Violence Survivors Team Up for A Woman's Lens, with reproduction p. 23. |
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